IAIJUTSU KATA PDF

Tamiya ryu Iaijutsu. Koran no Maki – the second volume by Takeda N. Sensei – Iaido Kyoshi 7th Dan. The following is a brief description of these kata. There are 43 iai kata with no particular order, but 7 are considered basic. Properly speaking, Shinkage-ryu does not contain iaijutsu techniques, it is strictly a.

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Mugen Shinto Ryu Iaijutsu kata.

Shinkage ryu iaijutsu techniques

Zan-getsu — mountain, moon; moon appears behind mountain. There are also a number of other, less-widely practiced, forms of iaijuttsu that grew out of Hayashizaki’s art. Un-ryu — cloud dragon.

Kai-shaku — help to commit harikiri 6.

Muso Jikiden Eishin-ryu Iaijutsu as practiced by our dojo is the descendant of an unbroken line of tradition that stretches back some years to its origins in ancient Japan. Oct 13 visit by Lyall Sensei. New Domain – www. On the third step, perform nukitsuke, eliminating the first opponent. Right hand holds sword and sageo, thumb? From seiza, draw and cover while advancing the right foot to the right. Suwariwaza Inten Giri Negative turn-around cut From seiza, draw and cover while advancing the right foot to the right.

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The seventh grand master Hasegawa Eishin shaped the school around the changing times, keeping true to its enduring spirit, and mastering a new type of sword.

Muso Jikiden Eishin-ryu Iaijutsu–Colorado Komei Juku

Big step forward to get up. This is the mission of Muso Jikiden Eishin-ryu Iaijutsu as transmitted by the 21st generation head–Sekiguchi Komei sensei. Toride-gaeshi — grab hand, cut. Chidori-gaeshi — bird, walk like drunk.

Shinkage ryu Iai

In the midst of all this action and perceived conflict, the iaijutsu practitioner must retain the calm state of mind they had while sitting or standing. Grab the saya and noto. Arai Seitetsu Kiyonobu 9th Headmaster: Tsurube-otoshi — letting go of a water pale in a well, when sun goes down fast, dropping quickly 6. Seated techniques are called iai, the standing techniques are tachi-ai batto.

Draw to the right and place left hand under the sword, ha pointing up. Uki-fune — floating ship Usu-zumi — black of calligraphy charcoalstroking line, sweeping 3.

When you touch the enemy’s shin, evade to the left this time remaining on the knees and cut down. On kaata second step pull the tsuka towards your shoulder, unbalancing the enemy.

Nanhon Me no Kata. Itoma-goi — say goodbye manner, make partner loose attention. First cut the one one the right as in sanpogiri. Calgary Rakushinkan website lata construction.

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Nagano Muraku Nyudo Kinrosai 4th Headmaster: Pull the right foot back far and take hasso sort of Left hand now grabs the tsuka too, cut diagonal and the right foot steps next to the left in sonkyo and in the same kkata pull the left foot back far at the end of the cut.

I got credited in a Scientific American blog. Right foot steps forward and cut and slide back at the end of the cut.

Oki-tsunami — far away in the sea tsunami. At the same time the left foot is placed forward and to the left and there is a body shift to the left still katw the knees. Tanimura Kame no Jo Yorikatsu Sugio. Then, one or more iaijutwu assailants suddenly attack the individual. A series of forms and concepts born of battlefield sensibly will be a part of your education in this venerated style of individual combat.